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Footloose in Paradise |
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Footloose in Paradise #1 Wes
Bogner 1987,color pencil on paper 15"x 22"
Inspiration comes from experiences and a playful awareness of one's
immediate surroundings. I came to the Big Island looking for time to make
art and space to live. In contemporary social dynamics and economic
equations; Time is Money. But Money is not Time even if it can buy hours of
it. Time is Life and we each only get so much to spend. |
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Footloose in Paradise #20
Detail
I invested $35 each month to cover rent on an old plantation
shack. Kerosene lamps and an outhouse brought out the ozark in me. I had
plenty time to spend on my artwork, exploring Ka'u and beach combing. Anyone
visiting the islands can't help but notice that the local population moves
from here to there predominately in slippahs, [slippers/flip-flops/zoris]. |
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Footloose in Paradise #3 Wes Bogner 1988 acrylic on panel
Everywhere you go in Hawaii, some one has already been there. Evidence of
their passing is found in parking lots, vacant lots, housing lots,
sidewalks, and all the foot trails. Both ancient and modern walkways are
punctuated with lost and usually broken, worn out or blown out slippahs.
Appearing in unlikely places, lost flip-flops inundate our environment
with a familiarity which is comforting if not empathic. Found in the yard,
found in the doghouse, found at the beach, found in the middle of nowhere,
found in the laundry and lost and found at large indoor parties. On the
lanai slippahs jump owners and walk away. On sale for $2 to $50 dollars, no
one can afford to go without or go out with less. |
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F.L.I.P. #2 Wes Bogner 1988
acrylic on panel, 24"x 36" detailThe visual
impact of this abandoned footwear turning up in all the nooks and cracks of
our tropical culture; under the step, under the bed, under the car, under
the bush, and underfoot, creates a landscape measured in steps. Steps
leading to the discovery of how it physically feels to loose a slippah 10
minutes down a lava trail. Reality hits as attempts to hop one-footed back
or forward are short-lived. |
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F.L.I.P. #20 Wes Bogner 1998, mixed media
'Foot Loose In Paradise', [F.L.I.P.] creates a metaphor
and a pun which the series of artworks illustrates and explores in playful
and humorous ways. Using a multi-media substructure,
marbles, mortar, and liquid rubber combine in an oversize glass
slippah, measuring 34"x 18"x 3", entitled, #20, shown above.
Click on any thumbnail image for a full size photo. |
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When one decides to dedicate a major body of artworks to
footwear, many people and galleries, too, question the validity of serious
humor. Laughter is in fact the best response to many of life's
disappointments let alone small inconveniences such as lost or trashed
footwear. Really funny statements are made by stand-up comedians not serious
artists.
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